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24 July 2011

A riot of Colors
Business Today
BTDY
English
(c) 2011 Living Media India Ltd

When the high profile CEO of television channel Colors, Rajesh Kamat, resigned in April this year, many thought his departure would slow down the channel's unbridled growth till then. Kamat had built Colors from scratch, catapulting it to a close Number Two - behind STAR Plus - in the Hindi general entertainment channel, or GEC, category; on occasional weeks even overtaking STAR. It first reached top position within nine months of its launch in 2008. But Haresh Chawla, 43, CEO of the parent group, moved fast. Within a fortnight he had roped in Raj Nayak, a former CEO of NDTV Media, to fill the void.

Tightrope walkA debt-burdened group...Network 18 Media &; InvestmentsThe net debt of just the three listed companies adds up to Rs 1,988 crore, against their total revenues of Rs 1,484 crore in the year to March 31, 2011… sees future in unit Viacom18...Viacom18 is a 50:50 venture between Network18 and Viacom of USIts share of Viacom18's revenues is Rs 552 crore, while group revenue is Rs 1,484 crore… but venture has very high costs...Viacom18's costs account for 89% of its revenues, against 59% for Zee Entertainment… with most of its income from one channel, ColorsColors accounts for 79% of Viacom18's total revenues

Despite Kamat's recent departure, the mood at Viacom18's headquarters in Parel, central Mumbai, is distinctly celebratory. Chawla points out that Viacom18 has met both its growth and financial performance targets. In three years, it has recorded 11-fold growth in revenues, with each of its businesses at Number One or a close second in their markets.

"We are now a leading multiplatform entertainment player," says Chawla. Viacom18's interests now span four leading TV channels: MTV, VH1, Nick and Colors; a pan-India distribution set-up called Sun18 Media; the MTV youth portal; a merchandise business that has more than 50 categories of products; and a film company, Viacom18 Motion Pictures, that delivered Tanu Weds Manu, one of the biggest hits of 2011 yet.

Viacom18's success is a critical part of the nearly two-decade growth story of Raghav Bahl's Network18 Group. Viacom18, started in 2007 as a 50:50 venture with global media giant Viacom Inc., has already crossed Rs 1,000 crore in revenues. Network18's share equals more than a third of its total revenues otherwise. And Colors, begun in 2008, has changed the dynamics of the television game, says Rajesh Jain, National Industry Director at audit and consulting firm KPMG. In 2006/2007 Viacom18's turnover was Rs 110 crore; in 2010/11, it recorded a profit after tax of Rs 85 crore on a total income of Rs 1,104 crore- of which 79 per cent came from the Colors channel.

Yet challenges remain. Viacom18's costs are steep. At Rs 985 crore for 2010/11, its costs were 89 per cent of its revenues. At Zee Entertainment Enterprise, costs in the same year were 59.3 per cent of Rs 1,279 crore revenues. Analysts say this is a concern even if Viacom18 is profitable. "Colors has been doing some sensible things to gain market share. But for how long can you keep burning cash," asks Kalpesh Makwana, an equity research analyst at Quant Capital.

Some of this overhang comes from the cost of content and carriage fees. "There has been good execution on the ground - a good scale of ad sales, but costs are high and the business is marginally breaking even," says Vivek Couto, Executive Director, Media Partners Asia, the leading media tracking firm. "As of now, subscription revenues are very small. Zee and STAR have better operating leverage and a long-term reservoir of funding."

It does not help that, hit hard by the economic downturn of 2008/09, Viacom18's parent, Network18, is also deep in debt. Details of borrowings of the entire group are not readily available but the debt at its three listed companies currently stands at around Rs 1,988 crore. When juxtaposed against group revenues of some Rs 1,484 crore, that makes for a squeeze. The group's promoters, led by Raghav Bahl, have pledged big chunks in three group companies - Network18 Media & Investments, TV18 and IBN18 - against loans.

While there are gems such as Colors and CNBC TV18 in its portfolio, many of the group's non-broadcasting ventures are still incurring losses. But with India's television market on a roll, growing at 16 per cent and expected to touch Rs 63,000 crore by 2015, some industry watchers are less pessimistic. "The scale up of Viacom18 has been ahead of expectations," says Nikhil Vora, Managing Director, IDFC Securities.

Are competitors STAR and Zee feeling the Colors heat? For now, no. "Television ratings are a weekly game. We are not threatened by competition as we are a profitable company and our costs are low," says Punit Goenka, CEO and Managing Director of Zee Entertainment.

Interview Philippe Dauman, President and CEO, Viacom Inc.Philippe Dauman, the 57-year-old global chief of the media conglomerate, discusses the joint venture with Viacom18 in an email interview with Anusha Subramanian. Edited excerpts:On reasons for Viacom18's rapid growth: Viacom18 brings together two world-class operations: Viacom and Network18. Viacom brings tremendous capability in creating strong global brands and Network18 is an outstanding partner with local expertise and a focus on excellence. Our joint venture's success reflects a very strong management team, powerful brands and great relationships with distributors and advertisers. One of the keys to our success with Colors has been brand differentiation. It embodies a combination of emotion and variety.On the importance of Viacom's India operations: India is a key strategic market for us. It has a strong economy with a large, youthful and media-savvy population. The expansion of the TV marketplace is creating enormous opportunity. We intend to capture more of this audience. On the comparison between India to China: Both countries are poised for continued strong growth. Today, India has a more receptive regulatory environment and a vibrant creative culture. China is a more complex market that is highly regulated.On the likelihood of Viacom expanding in India: We see huge expansion ahead - both in our existing businesses and in additional brands and channels. We are extremely pleased with our progress to date, including the phenomenal success of Colors. We have been successful in exporting Colors, as well as our other Indian channels to other countries.

Still, there is no denying that it was the intense competition from Colors that prompted STAR Plus to re-launch with a fresh look and new programming last year. "The re-launch we undertook has put us back in the saddle. We are 35 to 40 per cent ahead of any other channel in the Hindi GEC space," says Uday Shankar, CEO of STAR India. Zee has rebranded itself too.

And Viacom18, meanwhile, is readying for a fresh assault. Colors will soon increase its original programming hours from the current 23 hours a week to approximately 26 or 28 hours, to compete better with STAR and Zee, which have 38 and 32 hours respectively.

In the next three years, Viacom18 will also add to each of its verticals of mass entertainment, specialised channels, consumer products, films business, digital offerings, and the distribution network. A Hindi movie channel is planned by the end of the year, as well as expansion into the regional space. But Colors will remain the bread and butter of Viacom18.

Former CEO Kamat has joined ex-News Corp executive Peter Chernin's CA Media as its India CEO and will invest in media ventures here. All eyes are now on new Colors CEO Raj Nayak, who the channel said was not available for interviews yet.

Network18 wants to ride the momentum Colors has given it. "We entered late," says Chawla, pointing out that rival channels took up to 10 years to get to the size Colors is at today. Colors achieved it in two. "We will continue to find the way ahead as quickly as possible," he adds. That traction will be as important for Network18 as for Viacom18.

Inspiration

IF you want to kick off a lifestyle TV channel that embraces Asia's rising affluence and sophistication, 2009 is not the best time, not when the global financial crisis was still an open wound. Yet, Li, Life Inspired did exactly that, and almost two years later, it has signed up with more pay-TV stations in this region than has most of its rivals.

Li (pronounced "ell eye") has its content carried on 11 platforms in Hong Kong, Indonesia, Taiwan, Singapore and Malaysia, and it plans to add four or five more platforms in these markets in the coming months.

"In Asia, there are now so many regional and international channels. We launched during a recession. In 22 months, we are on more platforms than a lot of our lifestyle competitors," says Anne Chan, general manager of LI TV Asia Sdn Bhd, the channel's Petaling Jaya-based operator.

The stations that air Li's programmes are Astro (Malaysia) mio TV (Singapore), Now TV (Hong Kong), Hong Kong Broadband BBTV (Hong Kong), Indovision (Indonesia), First Media (Indonesia), Aora (Indonesia), Grovia TV (Indonesia), New TV (Taiwan), KBRO (Taiwan) and Chunghwa MOD (Taiwan). In contrast, the Asian Food Channel (AFC), which has been around for over five years, is available on eight carriers. Launched more than three years ago, BBC Lifestyle is present in Asia via five broadcasters.

Chan: Star's entry as majority shareholder paves the way for collaboration in content and advertising. The decision to make Li "Asia's first HD (high-definition) lifestyle TV channel" is a big reason for its ability to distribute content on that many platforms. Chan explains: "The first-mover advantage actually gets us through a lot of doors."

Although transmitting in HD is two to three times more expensive than in standard definition (SD), choosing the former has worked out well for Li because the broadcasters are clearly enthusiastic about offering shows in HD. However, it is still a young market segment. Despite Li's larger number of platforms, its viewership of between 3 million and 4 million based on a total number of subscribers of close to one million is dwarfed by the 35 million viewers that AFC claims to have. AFC's content is in SD.

HD takes off

Nevertheless, there is reason for the Li team to be optimistic. The demand for HD content is swelling, and the channel hopes to have two million subscribers next year.

According to a May 2011 report by Media Partners Asia, a provider of information services, subscribers with HD pay-TV reached 12.4 million last year, and will rise to 45 million by 2015 and 81 million by 2020. "Excluding China and India, HD penetration of digital pay-TV subs across the region reached almost 30% in 2010 and is likely to grow to approximately 60% by 2020, driven by continued growth in Australia, Japan and Korea as well as new growth in Southeast Asia," says the firm.

Li has also made the right bet by adopting MPEG-4 technology, which allows it to halve its use of satellite capacity. "We were able to launch the channel at a fraction of the cost. This is the case even now," says Chan.

She points out that Li has relatively low operating costs because it has a lean team that operates out of Malaysia, instead of Hong Kong or Singapore, like most other Asian channels do. Another avenue for controlling costs is to team up with suitable partners to produce original content instead of going it alone.

Now Li has a new wellspring of ideas and possibilities with the emergence of Star Publications (M) Bhd as its majority shareholder.

On Tuesday, Star inked a deal to take up a 51% stake in LI TV Holdings Ltd, LI TV Asia's parent company, for RM35mil. The remaining equity is held by Juita Viden International Ltd, a member of the Juita Viden Media Entertainment Group, a TV programme distributor in Malaysia.

Star's entry as majority shareholder, says Chan, paves the way for collaboration in content and advertising.

"With TV combined with print, we have the best of both worlds. I look forward to working very closely with Star's editorial team. They know the content, and we know production. We can merge both. Magazines and dailies know how to tell a story. What we can do is turn those stories into shows," she adds.

She points out that Star and Li can offer large lifestyle advertisers (such as Rolex and Mercedes) advertising packages that cover both print and TV. "That's a very compelling proposition," she says.

Getting the right partners

On the revenue end of business, Li relies significantly on the number of pay-TV subscribers with access to its content. It also gets income from advertising. "As a growing channel, initially you're looking at 70:30 in favour of subscription," says Chan.

To determine its subscription income, the channel typically has two kinds of contracts with the platforms. In the revenue-sharing model, the channel receives a percentage of the revenue from the pay-TV operator based on the number of subscribers. Chan explains: "If the retail price is say, US$21, we split it 50:50 maybe. We get a cut."

In the other arrangement, the channel is guaranteed a minimum base fee. When the number of subscribers rise to a certain level, the channel will earn revenue based on the number of subscribers. "Normally, the big platforms offer minimum guarantees because they want to secure you against their competitors, so that you won't go to other partners," adds Chan.

But it is not always about the money. She says: "We also look at the strengths of the partners. Are they trustworthy? Do they get' our channel?"

Such questions will be asked again and again over the next several years, as Li expands its reach. For its second phase of growth, the channel is looking at countries such as Thailand, China, Vietnam, the Philippines, South Korea, Japan and Australia. In places such as China, South Korea and Japan, the content will have to be highly localised and that may mean tying up with local partners and even launching new channels.

But for now, Li is focused on its existing five markets. "Our strategy is to fully penetrate these markets and we aim to consolidate within these markets in the next six months to a year. We want to market it right, basically to let people know about the channel. In Malaysia, for example, we hope to achieve higher awareness so that everybody knows about Li," says Chan.

It is not merely awareness; it is branding. She adds: "We're still at the beginning. I would like Li to be a successful lifestyle brand, that when people talk about inspired living, they say it's very Li'. I've yet to see a TV channel that becomes almost like the Apple brand. Apple is a strong brand. People get excited about it. Nike is a strong brand too. I would like people to look at Li as more than a TV channel. It's a concept. It's cool. People would go, I'm very Li.'"